![]() But between the blocks, triangles, or more angular shapes that adorn these sweaters and the vast array of colors-ranging from two shades and splotches of color among a muted tone to a literal pastel rainbow display-give us an indication that the character is either about to or just crossed some kind of precipice. In this case, geometric is more of a catch-all term in reference to the shapes themselves than any specific shape: The sweaters that feature in Zach Braff’s melodrama A Good Person, Chris McKay’s horror-comedy Renfield, and Peacock’s howcatchem Poker Face, like everything else about them, look nothing alike. Seriously, want to make it apparent that your character is about to undergo some kind of internal transformation? Put them in a geometric sweater. Yet, as each of them came out earlier this year, they all managed to pull off the same character trick of implementing a cozy addition to serve as a visual harbinger of change. None of them share any of the same A-list cast members at the helm. They differ in tone, visuals, costuming, and what they’re trying to accomplish. ![]() ![]() ![]() Over the past few months, a number of projects that have very little to do with each other made their debut. ![]()
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